Coyote and the Catfish
Near the edge of the pond walking
On tip toes, on the sand begins to
run
Leaving tiny lean toed paw prints
Stopping suddenly as his head
bends
Stare into the water still as his body
turns
Tail end making a radius puts his
omnivorous muzzle to a halt
Pointing precisely motionless silent
Between the reeds his look
Does not waver
Tail posing as ballast for delicate balance
Little steps bit by bit paws move one at
a time
Lifting just the right height placing the next foot
Forward that equals the height as if drawing
A circle precisely in a square
His head lowers decreasingly below
His thin sharp plow like shoulder blades
Not making a sound in a deadly tacit silents
His perceptive eyes do not blink
Keeping the pace all so
long-drawn-out
Then he hits the water with a paw
appearing almost like a cat
Pulling back knocking a fish out of the waters edge
As it lands it breaks the reeds flat
sets flies buzzing in flight
Fish's tail flipping up sending white
sand on a shiny black body
The performer grabs clutching the flopping fish between his eager
teeth
Black thick catfish whiskers
Feeling the canines hot breath from
thinner whiskers
He turns around basking through a
curtain of
Long low hanging young golden willow
boughs
Then he bows and without a doubt will
not make a curtain call
The dog and feline fish and day have
exited the stage
Tom Hatch paid his dues in the SoHo art scene in the 70s, 80s and 90s. He was awarded
two NEA grants for sculpture back then. And taught at various colleges and
universities in the NYC metro area in art. He is a regular at The Camel Saloon
and BoySlut. He had recently published The Mind[less] Muse. He lives in CT with
a few farms up and down the road works in Manhattan. His train ride to and from
NYC is his solace, study and den where it all begins and ends.
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